Introduction | |
Original Title: Våren Date: 1889 Style: Expressionism Period: European period Genre: Painting |
Media: Oil, canvas Location: National Gallery, Oslo, Norway Dimensions: 169 x 263.5 cm |
It was 1889, or even earlier in our childhood. You are now seeing this image through my brother’s memory. We are the Munch family from Norway. I was certainly ill, having no strength to enjoy the beautiful spring. Back in the 19th century, tuberculosis was an undefeatable disease. It brought fear, death, sorrow, isolation and loneliness. After a long, white winter, especially for Nordic people, spring is the season that brings light, colors and the awakening of lives. With the coming of spring, we do not feel discouraged. Though our external self is progressively wasting away, our inner self is being renewed day by day. I know I have a permanent place in my brother’s heart. You’re seeing this eternal hope through his remembrance. |
Analysis |
As spring conquered the long, white winter, a mild light and a fresh wind came in through the window, lighting up the room. We then see this weary young lady, seated with her head against a pillow. From a viewer’s perspective, which might once be the same perspective as the painter, we can see her face; tired, with her eyelids closed. From our line of vision to the left, there seated an older lady, next to the one who was sick. We cannot see her face, but from the angle of her position, we can tell that she was gazing towards the window and the light. In comparison, her ruddy skin made the young lady’s seemed even more pale. We continue to move our sight to the extreme left, towards the end of the canvas. Here on a table, we can see a glass bottle and objects resembling medicine. These can be supportive evidence that someone in the room was sick. Many believe that the picture was inspired by the painter’s beloved young sister, who died of tuberculosis in 1877. Illness and cure, disappointment and expectation, death and life; the painter expressed a piece of this journey in life upon this canvas, and it is considered as one of his best works of the period. |