Introduction | |
Medium: Tempera on panel Dimensions: 32 1/4 x 47 3/4" (81.9 x 121.3 cm) Credit: Purchase |
Christina's World 1948 |
“I worked and worked and worked on just a field, that swell, that curve to the field. It’s like building a house, and then living in it. I built the ground. Thinking of her… and when I put it, it was right. I was there at the right moment. Imagine if I hadn’t been there. But you see how important it is to be in the surrounding and breathe it? And then it happens. If you’re lucky, and you’re perceptive enough to catch it.” This lady in the painting was Anna Christina Olsen. She was a neighbor to American painter Andrew Wyeth. Because of a degenerative muscular disorder, Olsen was not able to walk like normal people. She refused to use a wheelchair, preferring to crawl, as depicted here, using her arms to drag her lower body along. “The challenge to me was to do justice to her extraordinary conquest of a life which most people would consider hopeless. “ p.s. words marked in red are originally quoted from an interview with the painter Andrew Wyeth, talking about Christina’s World |
Analysis |
We see a woman as the focus of the whole image, lying in a field, and looking up towards a house and a barn in the distance upon a hill. Her gaze draws our sight to the upper right of the canvas. From there, as a whole route, our eyes move slightly towards the left, seeing another house. Then to the boundary where different grasses meet each other, our eyes follow the shape of the boundary, and our line of vision goes back down to the woman. Let us look closer at the painting. We see the whole color tone elegantly designed to match each other, bringing a warm, soft story-telling tone. Even the pink dress on the lady, being the most focused color in the image, was a mild one; “like faded lobster shells,” the painter described. Another part that draws our attention is the figure’s posture. Her irregularly thin and twisted arm seemed to support her body weight reluctantly, even looking as though it was trying to move. Anna Christina Olsen inspired this composition - who being a real person, lived as a neighbor of Wyeth. Olsen suffered from Charcot-Marie-Tooth disease, a neuromuscular disorder that made her legs dysfunctional. She refused to use a wheel chair, however, preferring to drag her lower body along by using her arms. “The challenge to me,” Wyeth explained, “was to do justice to her extraordinary conquest of a life which most people would consider hopeless.” The title of the work “Christina’s World” shows the painter’s point of view - as a painter, a recorder and a friend who sees Christina’s daily life, Andrew Wyeth intended to bring encouragement to both his friend Christina who had lived bravely, and to all the viewers who need this courage as well. |